Mackenzie Post-Digital has served as a residency
and cultivator of unique Canadian visual, sonic and multimedia artists.
Nina Sobell
Nina Sobell pioneered the use of video, computers, and interactivity in art, as well as performance on the Web since 1969, when she first used video to document participants’ undirected interactions with her sculptures at Cornell. She investigates the extent to which video enables her to manipulate the relation between time and space, and to create a vortex for human experience, in which the mediated event coincides with public experience, memory and relationships.