be-(g)-in bein(g)

be-(g)-in  bein(g)

be-(g)-in -> be – in -> be – in (g)

************start of score

be -gin

[the hard ‘g’ is distinctly present]

be (g) in

[it becomes gradually less prominent and fades away]

be in (g)

[The ringing of the ‘ng’ gradually appears becoming dominant until we have…]


[retrograde the process; and repeat ad infinitum]


begin being…

* score for a Cynthia Shaw type vocalization or synthesized/digitally manipulated should source that moves between the phonemes of the two words – the hard ‘g’ and the ringing ”ng’ of three second word, ultimately coming in and out of perception…

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