be-(g)-in bein(g)
be-(g)-in -> be – in -> be – in (g)
************start of score
be -gin
[the hard ‘g’ is distinctly present]
be (g) in
[it becomes gradually less prominent and fades away]
be in (g)
[The ringing of the ‘ng’ gradually appears becoming dominant until we have…]
be-ing
[retrograde the process; and repeat ad infinitum]
*******
begin being…
* score for a Cynthia Shaw type vocalization or synthesized/digitally manipulated should source that moves between the phonemes of the two words – the hard ‘g’ and the ringing ”ng’ of three second word, ultimately coming in and out of perception…